The last track I heard from Valee was Womp Womp back in 2019, so this was certainly a different sound from him, it was certainly a collaboration with a very different genre of artist. Note, the intro for the regular album is very different, but I specifically wanted to review this one because it has more songs and therefore the opportunity to explore more aspects of his sound. It was a great intro for the deluxe album. It was very catchy, and I loved the beat (totally not biased because it’s Pierre). I particularly love that this was produced by Pierre Bourne! I have never heard Aminé collab with such a huge producer before, and it made me really proud of how hard he has come, and what is in store for him. Yes, I have been digesting this album, at least the pre-deluxe edition, for almost two years, and have finally grappled with it enough to provide a good review. I, for one, even woke up early on the day of its release to experience it as soon as possible. The rollout built up a lot of hype for the album, amongst Aminé megafans like myself, and new listeners. It featured a host of summer anthems, including Compensating and Riri. The overall album carried a rugged style. This does not mean that every song flowed perfectly into the next, but that the songs placed side-by-side made sense. Today I unleash before you, the beast of a review that is my Limbo album review! Before I get into specifics, let me do a debrief on my general thoughts. So when Limbo, and the successor Limbo (Deluxe) albums dropped, I knew I was going to be satisfied for years to come. I have been a consistent fan of his for the past four years, and am proud of the progression of his artistry.
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